Episode 33: Pulling Out the Mote in Flannery O'Connor's WISE BLOOD Artwork

Great American Novel

Few literary terms are more hotly debated, discounted, or derided than the "Great American Novel." But while critics routinely dismiss the phrase as at best hype and as at worst exclusionary, the belief that a national literature commensurate with both the scope and the contradictions of being American persists. In this podcast Scott Yarbrough and Kirk Curnutt examine totemic works such as Herman Melville's Moby-Dick and Toni Morrison's Beloved that have been labeled GANs, exploring their themes, forms, and reception histories, asking why, when, and how they entered the literary canon. Readers beware: there be spoilers here, and other hijinks ensue...

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Great American Novel

Episode 33: Pulling Out the Mote in Flannery O'Connor's WISE BLOOD

May 18, 2025 • Scott Yarbrough and Kirk Curnutt • Episode 33

More celebrated for her dark, satirical short stories, Flannery O'Connor nevertheless burst on the literary scene in 1952 in her mid-twenties with her debut novel, Wise Blood. The story of a would-be preacher resistant to God's grace, the plot features some of the most bizarre and twisted left turns in American literature: self-blindings with lye, underaged ingenues named Sabbath, stolen mummies and gorilla suits, and enough vehicular homicides and car wreckage to make one renew one's AAA membership. For most readers, Hazel Motes's struggle to reconcile divine providence with the desire for free will is a tough conservative theology lesson to swallow. In this episode we explore how O'Connor employed the trope of the grotesque in Southern fiction to make her dogmatic point, asking whether the sheer weirdness of her characters distracts from her message.